Pre-War
Pamina’s pre-war sculptures led to major recognition for her in her late 20s. Most of these were later stolen from her.
Post-War
Pamina returned to her love of sculpting in 1944, continuing into her late 80s. Its high cost led her to gradually inject painting into her repertoire.
Unknown Era
Pamina had a passion for photographic documentation of her and Rolf’s artwork and lives. Only a few sculptures seem impossible to allocate to an era.