We use the term “variations” to indicate Pamina’s fondness for creating different portrayals of a particular scene, as Monet did with his Haystacks series. Portrayals like these use variances in light, patterns, colours and viewpoints to enhance the audience’s perception of the artist’s versatility. Pamina employed this approach in at least a dozen scenes, including Amadeus.
Pamina Liebert-Mahrenholz was captivated by the music and energy of the Amadeus Quartet – a string quartet that held a special position among her many creative endeavours. From 1940-41, three of the quartet’s eventual members spent a lengthy wartime period together, interned by Britain as “enemy aliens” after meeting as teens in one of the …
Pamina Liebert-Mahrenholz’s abstract artworks, with their multitude of perspectives, illustrate the depths of human imagination. The absence of direct insights from Pamina herself allows each viewer to embark on a personal expedition through thoughts and emotions, giving rise to a spectrum of interpretations both diverse and compelling.